Voices in the Dark: My Life as a Medium

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Voices in the Dark: My Life as a Medium

Voices in the Dark: My Life as a Medium

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The speakers all have the same basic speech pattern, with little to no deviation between them. They all talk about the same stuff, about how wonderful it is on "their side." They all use the same terminology, no matter what time period or part of the world. Also, the English of 18 th Century England is very different from the English of the 20 th century, which is something that obviously has slipped Elizabeth Fry's mind. [1] Study all you can about Leslie Flint, otherwise you may never fully appreciate the actual reality and proof of survival that these tapes are offering. And then, of course, last, but not least, by all means listen carefully to every paranormal voice recording you can get your hands on. You will first notice that every communicator who comes through, with his or her own personaltiy fully intact, comes through with a very definite purpose and literally speaks from the heart and soul.

Ms. Johnson then told Leslie: “There is a man here who wants to thank you for the flowers you put on his grave this morning. He tells me he was a schoolmaster and his name was Edwin Lewis. Do you understand this? He was given a military funeral.” Ms. Johnson also gave an accurate physical description of Mr. Lewis. When I first came here, I remember quite well waking up in a beautiful garden. Not unlike a garden I had been very fond of in my youth. And my father and mother were there. When I open my eyes, there was my mother just as I have remembered her when she was a much younger woman. It was a wonderful experience.The above videos were selected to give you a clearer conception of the nature of Leslie Flint's work and how he served as a living communication "bridge" or "telephone" between this life and the life beyond. Amazingly enough, many of these communications were recorded on tape so that others may also listen and learn from them while leaving for all humanity, the most elaborate evidence of life after death ever heard. Dr Aubrey Rose, OBE, CBE, one of the most brilliant lawyers in England, attended many sittings with Leslie Flint and claims that through Flint he received “the most detailed evidence of survival of the individual beyond this life.” During pre-production for the 1973 film Don't Look Now, director Nicolas Roeg and actress Julie Christie were invited by Flint to a séance he was holding for some American parapsychologists who were coming to observe him. Roeg and Christie attended and sat in a circle in the pitch dark and joined hands. Flint instructed his guests to "uncross" their legs, which Roeg subsequently incorporated into the film. [7] Style of mediumship [ edit ] In his autobiography, The Rainbow Never Ends (2005), Rose states that his investigation into the afterlife began when he heard a tape recording of a voice re recognized as that of deceased Judge, Lord Birkett, speaking through Leslie Flint. Rose became a close friend of Leslie Flint and went on to become a spiritual healer himself. All of these reports, derived from a great variety of sources over centuries of time, are perfectly consistent in their descriptions of the same country in which the communicators live, called the afterlife.

Kevin channels a spirit guide named Ahtun Re who has demonstrated the ability to make past life matches with a high degree of accuracy. When Ahtun Re communicates though Kevin, Kevin’s voice, accent, facial expressions and mannerisms change. Ahtun Re has an engaging sense of humor. Though Kevin is well read, Ahtun Re has an encyclopedic fund of information, which neither Kevin nor I possess. A grandmother then raised him in St. Albans, on broken biscuits and a tuppence worth of jam and let the cinema take care of his pre-school afternoons. So from the start, he was happier in the dark than in the light of day. His first psychic experience occurred when he was 7 years old, during World War I. Leslie was in his grandmother’s kitchen when his aunt walked in crying, sharing that her husband Alf had been killed in the war. Leslie had never met Alf. A soldier accompanied Nell carrying Alf’s possessions. Leslie then saw a second soldier walk in who appeared very sad, who started pulling on Aunt Nell’s sleeve to get her attention, though Nell seemed to be completely unaware of this man. Suddenly, the man completely disappeared. Later, when Nell showed Leslie a photograph of Alf, Leslie recognized him as the sad soldier who was tugging at Nell’s sleeve. When Alf revealed this to Nell and his grandmother, both told Leslie that he was lying. When Leslie persisted in saying this is who he saw, his grandmother gave him a “clout” to punish him for telling untruths.Leslie Flint (1911 – 16 April 1994) [1] was a British self-proclaimed medium who is credited as having been one of the last psychics to use direct-voice mediumship. [1] [2] He has been described by spiritualists as the most renowned psychic of the 20th century. [3] Skeptics have pointed out a number of alleged frauds Flint perpetuated during his career. [4] Biography [ edit ] The delicate paper tape was improved upon for general use, when reels of 'magnetic tape' became available.

Others tested Leslie's genuineness in every way. Truly, he could comment, 'I am the most tested medium this country has ever produced.' People traveled from all over the world to sit with him. Leslie also demonstrated abroad, particularly in the United States, where he was in great demand.This book presents highly convincing evidence amounting to proof for the existence of the afterlife. It shows that after investigating the evidence some of the most brilliant men and women scientists and others came to the conclusion that we all survive death. Go here to find out more: A Lawyer Presents the Evidence for the Afterlife The voice box, automatically transmitting those thoughts as sound, will reach the sitters as the voice, therefore the sitters are very important. Some sitters may actually feel the power being drawn from them, and at the end of a sitting may feel rather depleted. This may be especially so in the case of a single sitter.

Now, listen to a sample of six of the different voices recorded during séances, one after another. The speakers demonstrate the remarkable differences and qualities in the voices that could not be created by any medium or accomplice, and certainly not by the masculine voice of Leslie Flint. Many have British accents, but that is only because the seances were done in Britain and British people came through. Remember as you listen to these strikingly different voices, the microphone was close to Flint, where the voice box was formed, and far from the two sitters. Flint was bound and gagged for the test seances. And only Flint, with his masculine voice, and two sitters apart from the medium and the microphone recording the voices were in the room. The medium was tested hundreds of times using all manner of controls and never once was found to have produced the voices or had any collaborator produce the voices. I placed over his [Leslie Flint's] tightly closed lips a strip of Elastoplast. It was five and a half inches long and two and a half inches wide and very strongly adhesive. This I pressed firmly over and into the crevices of the closed lips. A scarf was then tied tightly over this and the medium's hands tied firmly to the arms of his chair; another cord was so tied that he would be unable to bend down his head. The medium and many others before and since described a "voice box" that those in spirit used to communicate that was created just for the purpose and disappeared afterward. The sittings always occurred in the dark. Fortunately, today the public is, in parts, more open and receptive to the reality of the spirit world and more understanding of the crucial link between this world and the next in the endless chain of human life.

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In his early life, he worked as a cinema cloakroom attendant and a cemetery gardener. [5] Flint was a conscientious objector in World War II, serving in the Non-Combatant Corps before being seconded to coal-mining. [1] The first public séance performed by Flint was in 1934, before he formed an association called the Temple of Light. [3]



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